For a while Emma was excited and pleased by her marriage, but because of her superficial romantic ideals she was soon bored and disillusioned by her new life. Flaubert uses a combination of characters and objects to illustrate her impending downfall.
Flaubert knew the regional setting, the place of his birth and youth, in and around the city of Rouen in Normandy. This inadequacy of speech is something Emma will encounter again and again as she tries to make her distress known to the priest or to express her love to Rodolphe.
She aspires to have taste that is more refined and sophisticated than that of her class. While her words, appearance, and fantasies are those of an innocent and beautiful wife, her spirit becomes foul and corrupt as she indulges herself in adulterous temptations and the deceptions required to maintain her illicit affairs.
As a result of her dissatisfaction she became ill. He is outgoing and friendly, with a gift for remembering names and faces, and he is mostly called upon to perform first aid.
She, however, consumes the arsenic herself, much to his horror and remorse. He made a marriage of convenience with a woman older than himself.
She freely chooses to be unfaithful to Charles, and her infidelities wound him fatally in the end.
Leon at first seems similar to Emma. His faithfulness to the mundane elements of country life has garnered the book its reputation as the beginning of the movement known as literary realism.
He harbors a crush on Emma. When she pleads desperately for money to pay her debts, men offer the money in return for sexual favors.
Rodolphe does not share her enthusiasm for this plan and on the eve of their planned departure, he ends the relationship with an apologetic, self-effacing letter placed at the bottom of a basket of apricots he has delivered to Emma.
She has a powerful yearning for luxury and romance inspired by reading popular novels. He invites her to go riding with him for the sake of her health.
Rodolphe Boulanger is a wealthy local man who seduces Emma as one more to a long string of mistresses. Both are discontented with country life, and both dream of bigger and better things. Although in some ways he may seem to identify with Emma,  Flaubert frequently mocks her romantic daydreaming and taste in literature.Symbolism in Gustave Flaubert's Madame Bovary.
Learn about the different symbols such as Blind Beggar in Madame Bovary and how they contribute to the plot of the book.
The image of the blind beggar occurs several times as the novel nears its end. Emma first feels something akin to pity towards him, but her feelings are always tinged with disgust.
In Gustave Flaubert's novel, Madame Bovary (), one of the major achievements is the excellent use of symbolism. Many of the moral values throughout the novel lie within the use of symbols, which are the elements in the narrative that communicate the rich values over and above their literal meanings (Dauner 1).
Madame Bovary- Gustave Flaubert: Four page paper on themes, symbols, and motifs found in Madame Bovary. Madame Bovary could feed an army for a week! From Emma's wedding feast to the Bovarys' daily dinner, Flaubert's characters are frequently eating, and the way they eat reveals their important characteristics.
Madame Bovary (full French title: Madame Bovary.
Mœurs de province) is the debut novel of French writer Gustave Flaubert, published in The character lives beyond her means in order to escape the banalities and emptiness of provincial life. Other examples of symbols include the blind beggar, the wedding bouquet of Charles' first wife, and Emma's pet greyhound.
Critics have pointed out that even the names of the characters in Madame Bovary have symbolic meanings .Download